Word & Question 27

GENERALS AND PRIVATES

in attempted answer to the perplexing question:
Is it generals who have stars or stars who have generals?

1.

In point of fact, one readily affirms
That battle-tested generals have stars
Fixed fast upon their noble uniforms
For all to see — in churches, clubs, or bars.

Yes, usually pinned upon a shoulder
Is an array of astral decorations:
An honor fit for those who have been bolder
Than other citizens of our great nation.

But who has seen the star (celestial, argent,
Gracing the dark expanse with clearest light)
Who has a general by her side, or sergeant,
Or first lieutenant raring for a fight?

2.

Wait … Do you mean the stars up in the sky,
Or stars on movie screens? They’re different creatures!
Hollywood’s icons in the public eye
Are usually not shy about their features,

Displaying what should properly be “private”
For “general” consumption by the crowd.
They don’t die of exposure; they survive it:
Immodest, brazen, underclad, and proud.

I’d urge celebrities: by all that’s sacred,
Keep private things out of the public light.
When intimacy ceases to be secret,
And turns commercial, it just isn’t right.

++++++++++++++++++++++++++++++++++++++++++++++++

[A poem penned as participation in the poetry pastime parented, propagated, and perfected by Enbrethiliel.]

A Reader’s Complaint

Why must you write about unpleasant things,
Of pride and lust and anger and vexation?
Give us the moon in June, and Saturn’s rings.

Write about how the winter sunrise brings
Hope to the hopeless, subtle consolation:
Why must you write about unpleasant things?

Describe the way Rhiannon Giddens sings
And fills your weary heart with jubilation!
Give us the moon in June, and Saturn’s rings.

Give us cool dewdrops, clover, angels’ wings,
A rainbow’s end, a bright star’s lumination!
Why must you write about unpleasant things,

Of things to which a taint of sadness clings?
Why speak of wrecked loves, psychic perturbation?
Give us the moon in June, and Saturn’s rings.

Let’s have some ale, some raucous roisterings!
Spare us the Kurt Cobain impersonation!
Why must you write about unpleasant things?
Give us the moon in June, and Saturn’s rings.

Word & Question 26

LUX IN TENEBRIS

Habituated to the tenebrous,
Accustomed to the shadows of the night,
My sleep-dazed eyes awake to a blunt spear
Of moonlight hurled against the pillowcase.

I go to the window, with blinds open wide,
And upward look, upon a lucent throng
Of stars, the million brilliant distant suns
Around whose fires revolve unnumbered planets.

What keeps them on their track around the light?
What dexterous Prestidigitator’s skill
Fixes the path of moon, of earth … of man?

Supreme intelligence or happenstance?
Genesis or a crapshoot? — Four o’clock.
Is it too soon to make a pot of coffee?

+ + + + + + + + + + + + + +

[A poem penned as participation in the poetry pastime parented, propagated, and perfected by Enbrethiliel.]

word: prestidigitator

question: are you afraid of the dark?

Foxtrot from a Play

by W. H. Auden (1907-73)

The soldier loves his rifle,
The scholar loves his books,
The farmer loves his horses,
The film star loves her looks.
There’s love the whole world over
Wherever you may be;
Some lose their rest for gay Mae West,
But you’re my cup of tea.

Some talk of Alexander
And some of Fred Astaire,
Some like their heroes hairy
Some like them debonair,
Some prefer a curate
And some an A.D.C.,
Some like a tough to treat ‘em rough,
But you’re my cup of tea.

Some are mad on Airedales
And some on Pekinese,
On tabby cats or parrots
Or guinea pigs or geese.
There are patients in asylums
Who think that they’re a tree;
I had an aunt who loved a plant,
But you’re my cup of tea.

Some have sagging waistlines
And some a bulbous nose
And some a floating kidney
And some have hammer toes,
Some have tennis elbow
And some have housemaid’s knee,
And some I know have got B.O.,
But you’re my cup of tea.

The blackbird loves the earthworm,
The adder loves the sun,
The polar bear an iceberg,
The elephant a bun,
The trout enjoys the river,
The whale enjoys the sea,
And dogs love most an old lamp-post,
But you’re my cup of tea.

Audenesque Hip-Hop

Stubbly rumpled slacker,
You think you can rhyme?
White boy, Anglo, cracker –
That should be a crime!

Doofus, numbskull, goober,
Rap like Ezra Pound,
Hapless as a tuber
Sleeping underground.

Egghead so nerdacious,
Watch you bust a move!
Klutzy but audacious,
So “minus-tha-groove.”

Dweebalicious paleface,
With your words so nice,
Disgrace to the male race,
Wet as melted ice,

If you were a poet
You might answer back.
All the MCs know it –
Swagger’s what you lack.

Eurocentric lightweight,
Shallow silly fop –
Your bulb’s not so bright, mate:
Stick to ’60s pop.

Launch your weak invasion,
Academic bloke,
Fluent in Caucasian,
Punchline to a joke.

Polishing your grammar,
How much do you know?
Six months in the slammer
Might teach you to flow.

Boy, you couldn’t fill a
Beer-hall in Duluth –
Tragically vanilla:
That’s the simple truth.

Chucklehead so lonely,
Train-wreck, walking gaffe,
Try to rhyme, you’ll only
Make your neighbours laugh.

+ + +

(This poem was written for the 20th installment of Word & Question, a poetry pastime initiated and propagated by Enbrethiliel of Shredded Cheddar.)

Word: cracker
Question: Why are the neighbours laughing at us again?

Magnificat

My soul magnifies the Lord;
my spirit rejoices in God my savior;
he has regarded the humility of his handmaid.

For behold, henceforth all generations will call me blessed;
he who is mighty has done great things for me;
holy is his name:

and his mercy is upon the progeny of the progeny
of them that fear him.

He has shown the strength of his arm;
he has scattered the proud in the conceit of their heart:

he has put down the mighty from their thrones
and has exalted those of low degree:

he has filled the hungry with good things;
he has sent the rich empty away.

He has helped Israel his servant;
in remembrance of his mercy –
even as he spoke to our fathers –
to Abraham and to his seed for ever.

Written in the dark

The House of Life,
insinuate,
incarnadine.

An avarice
of sleep. Of bright
regard.

Had tender eyes,
the demoiselle
of dusk.

Rehearsing love,
the beads of avenir.

We seek, forsooth.
Lost solace,
stripped of crimp.

Tribute obsidian, mark you,
this be wise.

Supremacy,
minuit,
the single star:

I is for iambic

1
Midafternoon. Time for a winter’s nap.

2
John Berryman, peace to your self-slain ghost.

3
The chronicles of last year’s recklessness …

4
Virginia’s queen of quirk, where have you gone?

5
A half-gallon of beer, a stumbling walk …

6
Bombast and brandy, odes of bygone days!

7
Light from the east, it beckons, silent voice.

Thomas Dekker (1572-1632)

GOLDEN slumbers kiss your eyes,
Smiles awake you when you rise.
Sleep pretty wantons, do not cry,
And I will sing a lullaby;
Rock them, rock them, lullaby.

Care is heavy, therefore sleep you;
You are care, and care must keep you.
Sleep pretty wantons, do not cry,
And I will sing a lullaby;
Rock them, rock them, lullaby.

Abraham Joshua Heschel

It is the sense of the sublime that we have to regard as the root of man’s creative activities in art, thought and noble living. Just as no flora has ever fully displayed the hidden vitality of the earth, so has no work of art ever brought to expression the depth of the unutterable, in the sight of which the souls of saints, poets and philosophers live.

+ + +

Only those who live on borrowed words believe in their gift of expression. A sensitive person knows that the intrinsic, the most essential, is never expressed.

+ + +

[from Man Is Not Alone: A Philosophy of Religion (Noonday, 1979), p. 4]

All my heart this night rejoices

All my heart this night rejoices
As I hear
Far and near
Sweetest angel voices;
“Christ is born,” their choirs are singing,
Till the air
Ev’rywhere
Now with joy is ringing.

Come, then, let us hasten yonder;
Here let all,
Great and small,
Kneel in awe and wonder,
Love him who with love is yearning;
Hail the Star,
That from far
Bright with hope is burning!

Ye who pine in weary sadness,
Weep no more,
For the door
Now is found of gladness.
Cling to him, for he will guide you
Where no cross,
Pain or loss
Can again betide you.

Paul Gerhardt, 1607-76, trans. Catherine Winkworth, 1827-78

November (2000)

snowless freeze
and late November sunlight

the rusty workmanship
of ordinary time

“the fences of the light”
brown leaves gray trees

the industry of man
in metallic suburbs

abandoned shells of trucks
beside the endless railroad

no sunlight colder than yesterday’s

*

the monarchy of yesteryear
has fallen like a city

the landscape writes a song of desolation
its entertainments are the cloak of grief
its prayers are phrased to distant vacancy

the earth grows adamant and passionless
beneath the tiny grandeur of the stars

can darkness comprehend
beatitude

Five poems (2003)

Wine, guitars, blue bulls, red sun,
outmoded whispers –

*

The haiku of blue
by Kobayashi-Rimbaud:
étoile, planète, lune

*

Ashberyana:
traceries of yestermorn,
forgeries of night

*

Hoosegow bumpkin strums a tune
on mauve mandolin

*

Weighing grey, rehearsing sound,
eccola! Spring rain
drops like light

Jotting (2003)

My life is moving difficult
As a startless engine as a sparkless fire
As a book without a crux or gist
A play without a point or vital strife

My life is moving splendidly
Like Dominique at Barcelona
Like skaters in The Bishop’s Wife
Like trains through tunnels slicker than grease
Like circulation like tickertape

My life is actually quite still
A pebble or a broken clock
A stylite on a stem of grace
A dusty book which no one reads
A permanent mobility
That moves so fast it does not move

My life and mind are stiller than the spheres
Serene as the commotion of commuters
As silent as a battering thunderstorm
As violent as monks as pure as lust
As awful as a sudden happenstance
As austere as the spouse of Anne Boleyn
As orderly as chaos prim and brash

TD

Mother Elvira Petrozzi

We continue to be amazed and to believe even more in this “crazy” God who chose to become a small, poor, and fragile child. That child who two thousand years ago came into the world and exploded into history “bursts” into our lives today to re-write our history: mine, yours, and that of all of our wounded humanity. This Jesus shatters our reality and makes his way with only the weapon of love, the only weapon that can cause the rocks of the hardest heart to crumble.

[From the December 2011 Magnificat, meditation for Monday the 26th, p. 395]

December

Festivities bestow
upon this twelfth-month night
a whisper of the brisk miraculous:
all but the evergreens stand bare,
relieved of their burdens
(though a few trees harbor “winter-hardy leaves”);
moonlight assuages the cumulative ill
of the dying year, and an old star guides
wise and foolish alike toward rebirth.

TD
1990

Minuit, chrétiens

Midnight, O Christians, is the solemn hour
when God who is truly Man comes to you:
he shall remove the stain of our offenses;
he’ll please his Father and make all things new!
The whole world trembles, chills of expectation:
the long-sought night which brings us saving grace
now has arrived! O kneel in adoration!
Behold, behold the Child-Redeemer’s face!

Now may the light of faith ceaselessly burning
show us the way to the cradle of birth,
just as of old, the brightest star in heaven
led Eastern sages across desert earth.
The King of Kings is born where beasts are feeding:
O powers-that-seem, so boastful of your place,
proud men and cold, now heed the silent teaching!
The Child is God, his Mother full of grace.

The Savior’s strength has burst through every fetter;
our world is free, heaven open once again:
a lowly slave becomes a prince’s brother;
chains break asunder. United are men!
What shall we give the Lord for all his goodness,
made flesh for us, to suffer pain and death?
Rise from your sleep! Deliverance is upon us!
A child is born: praise him with every breath.

+ + +

trans. TD
stanzas 1 and 2 c. 1997
stanza 3 2010

Night prayer

Keep watch, dear Lord, with those who work, or watch, or weep this night, and give your angels charge over those who sleep. Tend the sick, Lord Christ; give rest to the weary, bless the dying, soothe the suffering, pity the afflicted, shield the joyous; and all for your love’s sake. Amen.

Late Autumn Lyric

[Word & Question 17: the poetry challenge originated by Enbrethiliel]

Word: turkey
Question: Is silence deep enough for dreaming?

+ + +

LATE AUTUMN LYRIC

Silence engenders dreams, and dreams breed silence,
Especially in autumn, when the trees
Along the thoroughfares in Arlington
Are rusty brown, the leaves all papery like
The feathers of a crepe-paper turkey.

November sun today is “summery
On the hill’s shoulder,” as the Great One once wrote,
The susurrus of balmy autumn breezes
Agitating the asphalt-strewn foliage
Like so many memories of balked affection.

The Sunday light creates an ineffable
Longing for lasting things, and makes the things of earth
Shine with significance beyond the mundane.
A glass of wine rests on the desk, accepting
The quiet grace of early afternoon.

It is our God alone who satisfies
The restless heart and mind and soul. The thorns
In the flesh, the wound in the heart, the life
Vulnerable, precarious, and blest

O Lord of seasons and of suns, have mercy.

Russian Cathedral

by Claude McKay (1890-1948)

Bow down my soul in worship very low
And in the holy silences be lost.
Bow down before the marble man of woe,
Bow down before the singing angel host.
What jewelled glory fills my spirit’s eye,
What golden grandeur moves the depths of me!
The soaring arches lift me up on high
Taking my breath with their rare symmetry.

Bow down my soul and let the wondrous light
Of beauty bathe thee from her lofty throne,
Bow down before the wonder of man’s might.
Bow down in worship, humble and alone;
Bow lowly down before the sacred sight
Of man’s divinity alive in stone.

In the morning …

In the morning are we filled with Your mercy, O Lord, and we rejoice and delight in all of our days. Let us delight therefore even in the days that you make us lowly and for the years that we have seen evils. And look upon Your servants and upon Your works and lead their sons aright. And let the light of the Lord our God be upon us, and the works of our hands may You guide aright. Yea, the works of our hands may You guide aright.

Glory to the Father and to the Son and to the Holy Spirit. Now and ever and unto the ages of ages. Amen.

You are more holy than all the Powers of Heaven, More honored than all, you are our foundation, O Theotokos, Mistress of the World. Entreat the Savior to save us from the multitude of stumbling blocks and rescue from danger those who pray to you, as you are the good one.

It is good to give praise to the Lord and to chant Your name O Exulted One. To proclaim Your mercy in the morning and Your truth in the night!

John Donne

preached at St Paul’s, upon Christmas day, in the evening, 1624

God hath made no decree to distinguish the seasons of his mercies ; In paradise, the fruits were ripe, the first minute, and in heaven it is alwaies Autumne, his mercies are ever in their maturity. We ask panem quotidianum, our daily bread, and God never sayes you should have come yesterday, he never sayes you must againe to-morrow, but to-day, if you will heare his voice, to-day he will heare you. If some King of the earth have so large an extent of Dominion, in North, and South, as that he hath Winter and Summer together in his Dominions, so large an extent East and West, as that he hath day and night together in his Dominions, much more hath God mercy and judgement together : He brought light out of darknesse, not out of a lesser light ; he can bring thy Summer out of Winter, though thou have no Spring ; though in the wayes of fortune, or understanding, or conscience, thou have been benighted until now, wintred and frozen, clouded and eclypsed, damped and benummed, smothered and stupified till now, now God comes to thee, not as in the dawning of the day, not as in the bud of the spring, but as the Sun at noon to illustrate all shadowes, as the sheaves in harvest, to fill all penuries ; all occasions invite his mercies, and all times are his seasons.

Thomas Merton

ADVENT

Charm with your stainlessness these winter nights,
Skies, and be perfect!
Fly vivider in the fiery dark, you quiet meteors,
And disappear.
You moon, be slow to go down,
This is your full!

The four white roads make off in silence
Towards the four parts of the starry universe.
Time falls like manna at the corners of the wintry earth.
We have become more humble than the rocks,
More wakeful than the patient hills.

Charm with your stainlessness these winter nights in Advent, holy spheres,
While minds, as meek as beasts,
Stay close at home in the sweet hay;
And intellects are quieter than the flocks that feed by starlight.

Oh pour your darkness and your brightness over all our solemn valleys,
You skies : and travel like the gentle Virgin,
Toward the planets’ stately setting,

Oh white full moon as quiet as Bethlehem!

Blessed John Henry Newman

God has created me to do Him some definite service; He has committed some work to me which he has not committed to another. I have my mission; I never may know it in this life, but I shall be told it in the next. I have a part in a great work; I am a link in a chain, a bond of connexion between persons. He has not created me for naught. I shall do good, I shall do His work; I shall be an angel of peace, a preacher of truth in my own place, while not intending it, if I do but keep His commandments. He does nothing in vain; He knows what He is about. He may take away my friends; He may throw me among strangers; He may make me feel desolate, make my spirits sink, hide my future from me — still He knows what he is about.

Gerard Manley Hopkins

THE STARLIGHT NIGHT

LOOK at the stars! look, look up at the skies!
O look at all the fire-folk sitting in the air!
The bright boroughs, the circle-citadels there!
Down in dim woods the diamond delves! the elves’-eyes!
The grey lawns cold where gold, where quickgold lies!
Wind-beat whitebeam! airy abeles set on a flare!
Flake-doves sent floating forth at a farmyard scare! –
Ah well! it is all a purchase, all is a prize.

Buy then! bid then! — What? — Prayer, patience, aims, vows.
Look, look: a May-mess, like on orchard boughs!
Look! March-bloom, like on mealed-with-yellow sallows!
These are indeed the barn; withindoors house
The shocks. This piece-bright paling shuts the spouse
Christ home, Christ and his mother and all his hallows.

Msgr Romano Guardini

When is heaven truly and completely present? It is when all heaviness is gone; when all sluggishness has been overcome, all wickedness, coldness, pride, irritation, disobedience, and covetousness; when there is no danger anymore of falling away; when grace has made one’s whole being open up, body and soul, to the ultimate profundities, when there is no further danger that it will all close in again, become hardened in ways of evil; when all work to be done on earth is finished, and all guilt has been paid by repentance. What all this means is: after death.

After death — when time is no longer; when everything is in the everlasting now; when nothing can change anymore, but the creature stands illuminated by the light of eternity, before God — at that time, everything will be open, and will remain so. That is being in heaven …

This is how we properly understand heaven. It is that close presence wherein the Father stands in relation to Jesus Christ. And heaven for us will be participation in this intimacy of love. This condition is already beginning; it approaches closer; now in peril, it is fought over, lost, and won back again. So it goes with our Christian life.

[Via Magnificat, November 2011, pp. 275-6. From Msgr Guardini's book The Inner Life of Jesus]

Caryll Houselander

The Coronation of the Blessed Virgin

Prayer

Mary,
Immaculate Love,
we bless you.

Because, though rooted in earth
as we are,
you opened your heart to God;
expanding and opening wide
to the heat of the sun
in your sinless heart,
you opened our hearts
to the light.

All generations bless you,
flower of our race.

We are crowned
in you,
Queen of Heaven,
crowned with stars
by the hands of Christ.

+ + +

[From The Essential Rosary (Sophia Institute Press, 1996), p. 59]

Cummings as nonlecturer

You will perhaps pardon me, as a nonlecturer, if I begin my second nonlecture with an almost inconceivable assertion : I was born at home.

For the benefit of those of you who can’t imagine what the word “home” implies, or what a home could possibly have been like, I should explain that the idea of home is the idea of privacy.

But again — what is privacy? You probably never heard of it.

Even supposing that (from time to time) walls exist around you, those walls are no longer walls; they are merest pseudosolidities, perpetually penetrated by the perfectly predatory collective organs of sight and sound. Any apparent somewhere which you may inhabit is always at the mercy of a ruthless and omnivorous everywhere. The notion of a house, as one single definite particular and unique place to come into, from the anywhereish and everywhereish world outside — that notion must strike you as fantastic. You have been brought up to believe that a house, or a universe, or a you, or any other object, is only seemingly solid :

really (and you are realists, whom nobody and nothing can deceive)

each seeming solidity is a collection of large holes — and, in the case of a house, the larger the holes the better; since the principal fucntion of a modern house is to admit whatever might otherwise remain outside. You haven’t the least or feeblest conception of being here, and now, and alone, and yourself. Why (you ask) should anyone want to be here, when (simply by pressing a button) anyone can be in fifty places at once? How could anyone want to be now, when anyone can go whening all over creation at the twist of a knob? What could induce anyone to desire aloneness, when billions of soi-disant dollars are mercifully squandered by a good and great government lest anyone anywhere should ever for a single instant be alone? As for being yourself — why on earth should you be yourself; when instead of being yourself you can be a hundred, or a thousand, or a hundred thousand thousand, other people? The very thought of being oneself in an epoch of interchangeable selves must appear supremely ridiculous.

Fine and dandy : but, so far as I am concerned, poetry and every other art was and is and forever will be a question of individuality. If poetry were anything — like dropping an atombomb — which anyone did, anyone could become a poet merely by doing the necessary anything; whatever that anything might or might not entail.

But (as it happens) poetry is being, not doing.

If you wish to follow, even at a distance, the poet’s calling (and here, as always, I speak from my own totally biased and entirely personal point of view) you’ve got to come out of the measurable doing universe into the immeasurable house of being. I am quite aware that, wherever our socalled civilization has slithered, there’s every reward and no punishment for unbeing. But if poetry is your goal, you’ve got to forget all about punishments and all about rewards and all about selfstyled obligations and duties and responsibilities etcetera ad infinitum and remember only one thing only : that it’s you — nobody else — who determine your destiny and decide your fate. Nobody else can be alive for you; nor can you be alive for anybody else.

Toms can be Dicks and Dicks can be Harrys, but none of them can ever be you.

There’s the artist’s responsibility; and the most awful responsibility on earth. If you can take it, take it — and be. If you can’t, cheer up and go about other people’s business; and do (or undo) till you drop.

Dante translates Dante

Dante Gabriel Rossetti’s rendering of the sonnet found in section 21 of Dante Alighieri’s La Vita Nuova. The seventh line is actually an improvement on the original !

:: :: :: :: ::

“Hate loves, and pride becomes a worshipper”

My lady carries love within her eyes;
All that she looks on is made pleasanter;
Upon her path men turn to gaze at her;
He whom she greeteth feels his heart to rise,
And droops his troubled visage full of sighs,
And of his evil heart is then aware:
Hate loves, and pride becomes a worshipper.
O women, help to praise her in somewise.

Humbleness, and the hope that hopeth well,
By speech of hers into the mind are brought,
And who beholds is blessèd oftenwhiles.
The look she hath when she a little smiles
Cannot be said, nor holden in the thought;
’Tis such a new and gracious miracle.

:: :: :: :: ::

Ne li occhi porta la mia donna Amore,
per che si fa gentil ciò ch’ella mira;
ov’ella passa, ogn’om ver lei si gira,
e cui saluta fa tremar lo core,

sì che, bassando il viso, tutto smore,
e d’ogni suo difetto allor sospira:
fugge dinanzi a lei superbia ed ira.
Aiutatemi, donne, farle onore.

Ogne dolcezza, ogne pensero umile
nasce nel core a chi parlar la sente,
ond’è laudato chi prima la vide.

Quel ch’ella par quando un poco sorride,
non si pò dicer né tenere a mente,
sì è novo miracolo e gentile.